Service
  • dialogue

  • ambience

  • effects

  • foley

  • music
  • dialogue

  • ambience

  • effects

  • foley

  • music
editing
editing
  • creating a package of source phonograms
  • creating a package of source phonograms
  • mix from mono to 7.1 in the re-recording studio
  • mix from mono to 7.1 in the re-recording studio
  • possibility of premixing at home studio
  • possibility of premixing at home studio
  • formation of sound worlds, sounds of fantastic characters and other fictional elements
  • formation of sound worlds, sounds of fantastic characters and other fictional elements
  • field recording of specific sound sources
  • field recording of specific sound sources
  • enhancing accents in image and music, maintaining mood and atmosphere

  • creating effects of various categories (explosions, transport, sound transitions, etc.)
  • enhancing accents in image and music, maintaining mood and atmosphere

  • creating effects of various categories (explosions, transport, sound transitions, etc.)
  • interaction with the director, foley artist and AMC foreman
  • interaction with the director, foley artist and AMC foreman
  • conducting speech and noise dubbing
  • conducting speech and noise dubbing
  • preparation for recording, creation of scoring sheets and markings
  • preparation for recording, creation of scoring sheets and markings
  • formation of the sound department, team management
  • formation of the sound department, team management
  • drawing up estimates and work schedules
  • drawing up estimates and work schedules
  • holding joint viewings
  • holding joint viewings
  • development and implementation of a sound solution
  • development and implementation of a sound solution
  • interaction with the director and producer throughout the working process
  • interaction with the director and producer throughout the working process
  • ensuring the recording of the final soundtrack on the set


  • formation of a sound department team
  • ensuring the recording of the final soundtrack on the set


  • formation of a sound department team
  • provision of professional audio recording equipment
  • provision of professional audio recording equipment
sound design
studio recording
sound editing
re-recording
location sound recording
sound supervising
ABOUT
FOR PRODUCER
FOR DIRECTOR
FOR SOUND SUPER.
  • We organize sound works in accordance with the idea of the film, the customer's requests and the tasks of film production.
  • We involve specialists in our fields in the team, depending on the need for the project.
  • Analyzing the tasks, we choose the optimal sound studio complexes for work.
  • We are individual entrepreneurs.
  • We have extensive experience in teamwork.
  • During our practical activity, we took part in all stages of sound creation: from recording to the final mix.
  • Priority areas at the moment: editing of various kinds of phonograms, sound design, re-recording.
  • We have experience on the set, recorded sound for our projects.
  • We take a responsible approach to projects of any size, quickly study the styles and methods of work of sound engineers and their teams, introducing them into our workflow.
  • We develop and implement sound solutions in accordance with the general artistic idea of the film.
  • We conduct a dialogue with the director, jointly develop a thread of ideas and associations from which sound images are born.
Marina and Stanislav are a tandem of sound engineers of audiovisual arts with more than 9 years of experience. While studying at VGIK at the Department of Sound Engineering, they became winners of awards of student festivals (VGIK, Intonations, St. Anna, etc.), took part in international film schools, the program of student exchange of sound engineering workshops (Russia - France). At the moment, we continue to improve our skills by participating in professional competitions, championships, taking prizes, as well as taking additional training courses and attending master classes of famous sound engineers from different countries.
We consider our professional reputation to be the main asset.

Portfolio
series
Dialogue editing (season 5)
Fitness
2020
Dialogue editing
correction and punishment
2021
Dialogue editing
Re-recording
at the bottom
2022
Dialogue editing (seasons 1, 2)
PEACE! friendship! gum!
2021
Sound
(episodes 4, 5)
social network
2022
Dialogue editing
poor Abramovichs
2023
Ambience & effects editing
Maks and Gus
2023
Dialogue editing
Re-recording (season 3)
Container
2023
Dialogue editing
Recording and editing walla
volunteer playlist
2023
Dialogue editing
Re-recording
Prometheus
2024
films
Sound
Snowgirl
2019
Sound design
1993
2023
Sound effects editing
Sound design
Bros
2024
About
Ambience & effects editing
Sound design
Letter
production
Dialogue editing
She Dances
2024
  • We organize sound works in accordance with the idea of the film, the customer's requests and the tasks of film production.
  • We involve specialists in our fields in the team, depending on the need for the project.
  • Analyzing the tasks, we choose the optimal sound studio complexes for work.
  • We are individual entrepreneurs.
producer
  • We develop and implement sound solutions in accordance with the general artistic idea of the film.
  • We conduct a dialogue with the director, jointly develop a thread of ideas and associations from which sound images are born.
director
  • We have extensive experience in teamwork.
  • During our practical activity, we took part in all stages of sound creation: from recording to the final mix.
  • Priority areas at the moment: editing of various kinds of phonograms, sound design, re-recording.
  • We have experience on the set, recorded sound for our projects.
  • We take a responsible approach to projects of any size, quickly study the styles and methods of work of sound engineers and their teams, introducing them into our workflow.
sound supervisor
  • enhancing accents in image and music, maintaining mood and atmosphere

  • creating effects of various categories

  • formation of sound worlds, sounds of fantastic characters and other fictional elements

  • field recording of specific sound sources
sound design
  • possibility of premixing at home studio

  • mix from mono to 7.1 in the re-recording studio

  • creating a package of source phonograms
re-recording
  • preparation for recording, creation of scoring sheets and markings

  • conducting speech and foley recording

  • interaction with the director, foley artist and walla foreman
sound recording in the studio
  • interaction with the director and producer throughout the working process

  • development and implementation of a sound solution

  • holding joint viewings

  • drawing up estimates and work schedules

  • formation of the sound department, team management
supervising
  • ensuring the recording of the final soundtrack on the set

  • formation of a sound department team

  • provision of professional audio recording equipment
location sound
  • dialogue track

  • ambience

  • effects

  • foley

  • music
editing
We are always open to communication and welcome new acquaintances!
We take on tasks of any complexity and volume.
Russia, Moscow
@gmail.com
marstansound
К сожалению, на данный момент
showreel находится на этапе монтажа :(
Dialogue editing, walla recording and editing.
Director: Maksim Sveshnikov
Sound Supervisor: Dmitry Loychenko
Distributor: ОККО
Premiere: May 18, 2023
The project has many awards, including 2 nominations for the Golden Eagle award, 4 awards from the Original+ festival, an IRI award in the category “Game series over 25 minutes” and others.
Director: Aleksey Lyapichev
Sound Supervisor: Dmitry Loychenko
Distributor: START
2 season premiere: September 8, 2022
3 season premiere: September 14, 2023
2 season: dialogue editing
3 season: supervising and re-recording.
The Container project has received many awards, including nominations for the Golden Eagle and APKiT awards.

In the spring of 2022, the world premiere of the series was supposed to take place on the Apple TV+ streaming service, where it would have become the first Russian project in the Apple Originals line, but the deal was later suspended.
Director: Maksim Sveshnikov
Sound supervisor: Dmitry Loychenko
Distributor: KinoPoisk
Premiere: April 23, 2024 (IMCF)
Dialogue editing, re-recording.
Director: Denis Pavlov
Sound Supervisor: Arthur Khayrullin, Pulse Studio
Distributor: Wink
Premiere: Jule 20, 2023
Sound effects & ambience editing.
Director: Asaad Abboud
Sound supervisors: Marina Ignatyeva
Stanislav Ignatyev
Distributor: Premier
Premiere: 7 января 2023
Post-production of 4 and 5 episodes.
Director: Ilya Aksyonov
Sound supervisor: Dmitry Loychenko
Distributor: Premier
1 season premiere: April 21, 2020
2 season premiere: May 24, 2021
Dialogue editing (1, 2 seasons).
Dialogue editing, re-recording.
Director: Boris Kazantsev
Distributor: Premier
Premiere: April 27, 2023
Director: Ilya Farfel
Sound supervisor: Arthur Khayrullin, Pulse Studio
Distributor: START
Premiere: September 26, 2023
Dialogue editing (5 episodes).
Director: Anna Parmas, Eduard Parri
Sound supervisor: Dmitry Kasian
Distributor: PREMIER
Premiere: March 14, 2022
Dialogue editing (5 episodes).
Directors: Anton Maslov, Kirill Vasiliev
Sound supervisor: Dmitry Loychenko
Distributor: START
Premiere: Jule 20, 2021
Dialogue editing.
Director: Aleksandr Veledinsky
Sound supervisor: Andrey Khudyakov
Premiere: September 28, 2023
Sound design.
The film received 2 awards and 4 Golden Eagle Award nominations in 2024. Winner of the Nick Award for Best Sound.
Director: Asaad Abboud
Sound supervisors: Marina Ignatyeva
Stanislav Ignatyev
Premiere: October 15, 2019
Production and post-production.
This film is Marina’s graduation work from VGIK. The "Snowgirl" won many awards at student festivals, 3 of which were for sound design.
Director: Denis Pavlov
Sound Supervisor: Arthur Khayrullin, Pulse Studio
Premiere: October 17, 2024
Sound effects editing, sound design.
Director: Oksana Degtyareva
Sound supervisor: Arthur Khayrullin, Pulse Studio
Premiere: August 1, 2024
Dialogue editing.